David Jones’ stunning cast aluminium sculpture represents the season of Bunuru, the hottest season of the year. From February to March, Bunuru is characterised by intense heat and minimal rainfall. Traditionally, it is a time for coastal living and fishing by the rivers and estuaries.
The Inspiration Behind the Sculpture
David’s sculpture evokes the shimmering surface of the water, a refreshing sight during the heat of Bunuru. “The sculpture is shaped to give the feeling of the water rolling around your body while standing submerged, chest high – a sensation familiar to my ancestors when spearing and netting fish around the waterways,” explains David.
His sculpture pays homage to water bodies and their essential role in providing nourishment and comfort during Bunuru’s searing heat.
The Creative Process
The artwork journey began with sketches and clay models that referenced oceanic forms. David experimented with various materials, including clay, paper, and plaster, to refine the shape that ultimately evokes waves and mussel shells. Throughout this process, he explored different surface textures inspired by objects found in water bodies, such as fish scales and shells.
The final sculpture’s smooth and twisting curvature is a testament to Bunuru’s connection to water. The cast aluminium skin features a hand-carved, rippling water-like surface that is polished and smooth. Deep recesses within the cast parts were fabricated in aluminium plate, adding sleek lines to this beautiful work.
About the Artist
David Jones is an Indigenous artist with deep connections to the Wiilman, Kaniyang, and Goreng Noongar Nations, as well as the Kimberley through his Bunuba bloodlines and the Warburton ranges through his Wangkathaa bloodlines.
Primarily a painter, David shares the journey and survival stories of the Noongar people through his art. His paintings convey pride, emotion, healing, and spirituality. Some of his works have been sold to friends, family and through art exhibitions. Notably, one of his artworks is installed at the police training centre in Midland, and another was sold to a Japanese delegate and now resides in Tokyo.
Joining the Subi East Project
Inspired by the speakers at the Subi East artist briefing session, David was eager to participate in the project. He saw it as an opportunity to work with Whadjuk Elders and represent the six seasons, each symbolizing a new beginning. “Being able to explain our Noongar seasons through artwork is, I think, the beginning of a cultural change in the way seasons are interpreted,” David notes.
Bridging Art and Construction
Currently employed as a dogman/rigger, David’s experience in the construction industry has given him a practical understanding of the stages involved in project creation. This background has taught him the value of hard work and dedication, which he now applies to his burgeoning art career.
David extends his gratitude to his fellow artists, mentors, and everyone involved in the project. He has enjoyed the creative process and looks forward to producing more artwork in the future.
