Edith Cowan University – City Campus Public Artworks

The ECU City Campus Public Artworks form a major public art program embedded within Edith Cowan University’s new city campus in Boorloo (Perth), located on Whadjuk Noongar boodjar. Positioned within a significant civic and cultural corridor, ECU City establishes a new urban destination where learning, culture and public life intersect.

Developed by Apparatus in close collaboration with ECU and Whadjuk Noongar Elders – Dr Roma Winmar AM, Farley Garlett and Dr Barb Bynder – the program evolved over several years through a process grounded in respect, cultural authority and shared knowledge. The resulting works are integrated into the architecture and landscape, shaping how people experience and move through the site.

Spanning the Karak Walk and Yagan Square precinct, the program includes a major integrated ground plane work by Bibbulmun artist Lea Taylor and a sculptural commission by Kamilaroi artist Reko Rennie. Together, these works respond to the deep cultural and environmental histories of the site, including the waterways and wetlands of Goologoolup that continue to exist beneath the contemporary city.

Encountered daily by thousands of students, commuters and visitors, the artworks create a layered and immersive public realm. Grounded in First Nations knowledge systems – the oldest continuing cultures in the world – the project affirms the continuity of Noongar culture in a rapidly evolving urban context.

Deliverables

– Public Art Strategy

– Public Art Plan

– Cultural Context

– Boola Waanginy (Many Talking) Program

– Design Assist Program

– Public Art Coordination

– Photographic + Video Documentation

Outcomes

– A major, integrated public art program embedded within ECU City Campus

– Culturally informed artworks by First Nations artists that respond to Whadjuk Noongar Country

– A strong and cohesive sense of place, grounded in cultural narrative and site history

– Deep collaboration between artists, Elders, client and design teams through an Elder-led Process

– Artworks that are seamlessly integrated into the architecture and public realm, shaping daily experience

– Celebration of First Nations culture through meaningful engagement and large-scale delivery of First Nations artworks

– Endorsement by Whadjuk Noongar Elders, ensuring cultural integrity and authenticity

– A lasting civic contribution that strengthens cultural visibility, knowledge sharing and connection to Country within a contemporary urban context

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  • Civic
  • Commercial
  • Regional
  • Transport
  • Education
  • Percent for Art

Curtin Stadium Precinct – Songlines

Wallis Drilling Headquarters

Condition Reporting for Collection Management Workshop

Rock Solid Foundations

Yanchep Rail Extension -Alkimos Station

METRONET Byford Rail Extension

Hamersley Public Golf Course

Subi East Noongar Six Seasons Markers

Subi East Public Art Strategy and Planning

Galleria Morley Mural Artwork

St Bart’s Mural

One the Esplanade Activation Artwork

Brookfield Place Renewal

METRONET Byford Rail Extension- Public Art Strategy and Planning

One The Esplanade Artworks

Wadjemup / Rottnest West End Redevelopment Artworks

Esperance Indoor Sports Stadium Mural

Curtin University School of Design and the Built Environment

Perth Children’s Hospital Greenspace

Liv Apartments Artwork

North Perth Robotopia

Exchange Precinct Artworks

Esperance Civic Centre

Esperance Civic Centre Artworks

Lakelands Station Artworks

Clifton Park Urban Artwork

Midland Child Advocacy Centre Public Artworks

Cottesloe Foreshore Renewal Public Art

Risely Street Roundabout Public Artwork

Newman Recreation Centre Mural

Melville City Centre

Town Hall Art Installation

Belmont Park Public Art

Canning War Memorial Activation Artwork

Ocean Reef Marina Public Art and Interpretation Plan

Bina Parkland Community Artworks

Midland Oval

East Fremantle Public Art Strategy

Goolugatup Heathcote Public Art Plan

Koombana Bay Foreshore Public Art

Stirling Arts Events and Activation Strategy

Weld Square

Covalent Lithium Public Art Plan

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We acknowledge the Traditional Owners of the land where we work and live.
We pay our respects to Elders past, present and emerging.
We celebrate the stories, culture and traditions of Aboriginal and Torres Strait Islander Elders of all communities who also work and live on this land.